I talk about that a lot - not having a plan. That’s become rather important to me this year. I mean, obviously it’s useful to have some sort of game plan for a lot of things (I know several routes I’d like to explore in my business next, for example), but the key is to not get hung up on one objective, not fixate on one goal. So, when I organized the trip, all I said was that I wanted to go to the coast and I wanted to take photos, and that if we added in a winery visit I would not complain.
Read MoreNow, perhaps driving 7.5 hours somewhere by yourself doesn’t sound like an exciting adventure. And, truth be told, there wasn’t much exciting about that part - or any of the 20 something hours I spent driving this weekend between the road trip, the tours and the photoshoots. But that was exactly the point. To be able to get in my little car and drive off to another state where I know only a handful of people, to schedule networking meetings and photoshoots with strangers, to photograph for another business (i.e. to profit while traveling) and to do all of this on my own. This is what the new me looks like. I’ve been reaching for this person for a very long time (my social media presence often projected this “dream person”) and after enjoying every second of my solo journey this weekend, I think I’ve finally found her.
Read MoreThe main difference when looking at my travel collections versus these Asheville photos is that I’ve been by far more experimental here (which should come as no surprise, I’ve had much more time and no “I might not be back, better get the safe shot” to hold me back.) There’s a mix of everything I’m interested in: street photos, portraits, self portraits, architecture, classic black and white imagery, experimental color effects films, double exposures, and even a bit of social commentary sprinkled in.
Read MoreThere is no "capturing" New York City. Just when you think you've photographed each juxtaposing facet - wealthy and destitute, historic and modern, stoic and vivacious - you realize you've only documented the city from one lens, one perspective, and it would take years to delve into each borough with each of its own microcosms of cultures. So, on my 2 trips to NYC earlier this year (where I stayed mostly in Brooklyn and Manhattan), I didn't set out to try to capture the heart of the city. Instead, I wanted to document my own experience of it. This meant not going out of my way for a photo, rather clicking the shutter just whenever I saw something I personally found interesting.
Read MoreRarely, if ever, do I share a whole roll of film. Typically, I share just a few shots here and there on Instagram with my favorites from each location making it into a blog post. But this roll was special. For one, it was the first roll of color film that I've ever developed myself! Though the chemicals arrived several weeks ago, I've put off using them because I was nervous I'd ruin the roll, this being my first time using the slightly-more-complicated color chemicals. As it turns out, all that worry was for naught. Using the Cinestill development kit, there were actually fewer steps than developing black and white film. And while the directions indicated it was imperative to have the water at a precise hot temperature, as I've gone by feel for black and white for years, I'm fairly certain I'll still be able to do the same as the film turned out perfectly.
Read MoreInterestingly enough, while I've spent the most time out of any destination in Portland, Oregon I've shot the least amount of film there. This is probably because I'm always there to do portrait sessions, which I still shoot in digital. Nonetheless, each day as I'm walking to my meetings or shoots, I always have my Vivitar locked and loaded. Along the way, I've created some images I'm quite happy with, a very basic beginning in capturing the flavor of the city.
Read MoreI would be remiss in sharing my travel adventures if I didn't share my film photos, too. Especially because they're often my favorite travel images. I only started shooting 35mm while abroad for my trip to Ireland in December, although I did try on both my Paris and Scotland/Iceland trips in 2016 (but my film camera was in my suitcase that never made it for either trip!) When I brought some 7 or so rolls of film with me to Ireland, I was still a bit of a timid shooter because I didn't want to waste any film, so I wasn't quite sure I'd run through all of it. But, once I started clicking, I couldn't stop.
Read MoreWhen I picked up my now 10-year-old 35mm film camera last year, I didn't really know how this was going to affect my work. At first, I just shot a few rolls around town to enjoy being outside while photographing something other than portraits. But then, I brought my camera and 6 rolls of film with me on my family trip to Ireland and realized that the missing piece in my work, what I'd been trying to put together for all these years, was this travel photography in film.
Read MoreMusic has been an essential part of my life for as long as I can remember: I don't start driving without choosing a song, I immediately turn on a playlist when I get home, I live for seeing live shows. There are certain songs and records that define each and every period of my life. For the past 6.5 years - since I left home and set off on the journey towards "adulthood" or whatever this is - Imagine Dragons (the band) has provided me with the majority of these tracks. I could discuss them for days, but the best of them all that literally gave me the defining moment to move forward into a new phase of my life is "Bet My Life" off their sophomore album Smoke and Mirrors.
Read MoreEach year, right around Christmas, I evaluate my goals from the ending year and then write out my goals for the coming year. I them let them sit for a few weeks while I evaluate other metrics - making sure that these are the goals that really resonate - and eventually come back to them during the first week of the new year to write this blog post. This year I've been so busy that I'm just now getting to it!
Nonetheless, I'm more than a little excited about this coming year. While each of the past 6 years has brought be a step closer to my ultimate career goals, this coming year is the first one where I feel like I'm really on the right track towards doing exactly what I want to be doing. It took me a while to figure out that exact intersection where my skills, enthusiasm for the work and ability to help people all coincide to create my "calling", but I'm only 24 so it's hard to complain. So, without further ado, here are my intended plans for 2018!
Read MoreNew Year's Eve has always been one of my favorite holidays. Not for the parties or the food (okay, maybe the food) but because it's a collective time of reflection and refocusing. I've always been a very goal-oriented person (which is both a blessing and a curse) so for my business, this gives me a very specific deadline to analyze not only the growth and financial status of my business, but also gauge my passion for the work I've been doing and decide what I want to pursue further. I'll discuss in my next post what my goals are for the year, but as it's still 2017 for a couple hours, I want to look back at the goals I set for myself this time last year and reflect on just how beautiful this year was for me.
So here, in the same order as I wrote them last year, are my 2017 goals and how well they played out:
Read MoreEach semester for the past 3 years, I get to work with a new group of Asheville Middle School (and Now Montford Northstar Academy) students teaching a darkroom photography program. For two semesters now, I've partnered with the Asheville Art Museum teaching a joint darkroom photo and mixed media class. On this year's Thanksgiving, I just wanted to share this work that's near and dear to me. I wholeheartedly believe that every single child deserves to be introduced to art in order to explore their creativity and personal voice and I'm thankful that I get to play a small part in these students' lives.
Read MoreI started off my first full day in Portland bright and early, catching the bus at 7:30 to get over to Cathedral Park for my first session. I was really hoping that since it was actually 10:30am in Asheville I might have an easier time waking up, but no such luck. So with bleary eyes, I transferred to the MAX along with every other person in Beaverton and attempted to not stick out as we bumped and jostled our way along. I certainly can't speak for everyone, but whenever I travel I always feel this need to look as un-touristy as possible (perhaps a reflex from being an American abroad), but trying to look unmoved as I repeatedly jolted from side-to-side, white-knuckling the hand rail, was a bit difficult. It did wake me up though!
Read MoreIn case it isn't obvious, I love photography; both as a storytelling device and as a visually appealing medium. So whenever the opportunity arises to spread my love for photography to others, particularly young and impressionable students who have the capacity to not only fall head-over-heels for the art form but the time to fully incorporate it into their lives, I take said opportunity. Such was the case with the Teaching Artists Presenting in Asheville Schools (TAPAS) program, a grant which brings local artists into the classroom to illustrate difficult concepts in a more comprehensible (and fun!) manner. I found out about this enriching program while doing some work for the Asheville City Schools Foundation last summer and immediately applied with the idea that I could teach my usual alternative processes to classes covering anything from storytelling to chemistry. As it happened - and in an ironic twist given my past dislike of the subject - I ended up working with an advanced chemistry class. Fortunately, this turned out to be an enjoyable experience for all of us.
Read MoreWhen most people hear vacation, they think "break from work," but for me, I always think "photography adventure." The annual Etheridge Family Beach Trip is one of my favorite times to explore new ways of documenting daily life since my family is now probably numb to me sticking a camera in their face.
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