Posts tagged mamiya 645
REVISITED - Mindfulness in Manhattan: A Walk to Change Perspective

With this resurgence of the Civil Rights Movement, our family has begun talking even more than before about disparities and the existence of racism within our own professions - teaching and photography. So, Dad suggested that I revisit this blog post, which was really the catalyst for what will be a lifetime of examining and taking down racism within my own mind and actions, and within my professional community.

I’ve read this piece a few times now and am struck by how pertinent each question I asked is to my process today, not just while photographing, but also while beginning to engage (for the first time) in political discourse and protest actions. Undoubtedly, this walk and my examination of it have helped me immensely in reframing my attitude towards privilege, bias, action and reform.

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Mindfulness in Manhattan: A Breath of Fresh Air in the Cloisters

After walking 100+ blocks, I greatly needed coffee. I grabbed a cappuccino from the coffee cart and we sat down in the cafe courtyard. As we sat looking through the stone arches, resting our tired legs, I got the chance to fully relax for the first time in a while. I closed my eyes and simply breathed in the warm air, easily 10 degrees cooler than the rest of Manhattan. The longer I rested my eyelids, the more attuned my hearing. At least 2 birds fluttered in and out of the garden, even a couple fast-moving hummingbirds. The breeze brought with it a quiet hum of conversation populated by a chirp here and there, all intertwined by the soft rustling of leaves. When I awoke from my meditation (read: nap) the dazzling sunshine was filtering through the stone archways and pouring through the opening ceiling, highlighting the vivid colors of the countless flowers.

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Mindfulness in Manhattan: A Walk to Change Perspective

“At what point do I then stop enjoying my life for its own sake and start doing things just for attention?”

Traveling, in particular, has time and again led me to that question. Did I order that steak tartare in France just for the ‘gram or do I actually want to eat it? (Tartare makes for terrible photos but is, in fact, delicious. Next question, please.) Did I rent a car and drive through Northern Spain for a good story? (Yes, but if the primary aim was to swap amusing stories with my well-traveled grandparents then no harm done.) Did I stay up till 3am sharing my blog posts to my Instagram story while in Ireland with my family rather than resting up to enjoy another full day? (Yes, and boy could I have used that sleep.)

When Dad and I went to Manhattan for a day in July, spending our afternoon walking the 160 blocks from Penn Station to the Cloisters, I was able to take that question one step further: even in a public sphere, when is it time to put the camera away not only to be more present myself, but to allow my prospective subjects to maintain their privacy?

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In a Manhattan Minute: Stories from Newark

Airports are [metaphorically] lawless places. Your flight’s delayed at 9am? Whiskey with breakfast. Get caught up in rush hour traffic en route to the airport? Cut in front of 2— people through security by only asking the travelers at the end of each row if you can move ahead of them. Sleepy on your redeye back home? Use your backpack as a pillow, jacket as a blanket and stretch out right there on the carpet.

Airports are at once the best places for people watching, and the only location where you can get away with doing whatever less-socially-accepted thing you need to do to get through your travels sanely without being critiqued too harshly. Within reason, of course; if you take up both arm rests, I will judge you.

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Travel Prints: Manhattan Film Photography

The only place I’ve photographed more than my hometown of Asheville is New York City. In the past year, after 3 trips, I’ve shot somewhere close to 15 rolls of film in Manhattan alone, which has given me the chance to practice my street photography in the city which birthed the genre.

There’s not much I can say in the way of describing each location that I haven’t said already, so instead I’ll share my aim for each type of film and why I chose to use it at that time. This is, by far, my favorite set of travel photos to date because I was finally comfortable photographing people at close range, so I captured a wide mix of photos of people going about their day, environmental portraits showing people interacting with the city background, and architectural shots.

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Spain Day 2: The Road to San Sebastian

Over the last year or so that I’ve dedicated my film practice to improving my street photography, I’ve had to work a lot on my shyness. Sometimes, I’ll see the perfect shot yet will be too nervous of what this stranger will think of me capturing the moment: will they be uncomfortable with the invasion of privacy, will they get mad, will they say something to me? No one has ever actually approached me so, as of yet, these fears are unfounded. In fact, one of my very favorite photographic moments from the day came about as we walked through the quiet, cobbled streets of Parte Vieja (Old Town.) At the other end of the alley we were walking through, I saw a group of men congregating, which always immediately sets me on my guard. However, when we got close and they saw my camera, they grinned and made a clicking motion while pointing to themselves. They must have heard us speaking English because they didn’t try to make conversation, yet “can you take our photo?” seems to be universally understood. Looking back, I wish I’d taken even more photos of them, perhaps a close-up portrait of each, but I’m still happy with the experience which will hopefully embolden me further.

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